In 1986, twelve years after his film Kihnu Naine (The women of Kishnou), Mark Soosaar made this complementary documentary at the centre of which are the male inhabitants of the island. With a bitter undertone to it, Soosaar shows how, to this view, a lack of possibilities for self-government and the conceited attitude of the mainland towards the islanders have caused great problems to this society. The island has been negligently placed under far too large a kolkhoz. Enormous alcoholism is prevalent among the male population and, increasingly, among the women. Sheer possession of money has become a standard of regard. If a family cannot spare 4,000 roubles for the marriage of their children, they are ignored by the other islanders. In this dramatic as well as poetic documentary we see how the social awareness of a society has gone by the board. Merely concrete and strict reformations can improve the situation the island is in.

Kihnu is a small island in the Gulf of Riga. Soosaar looks at the islanders from the point of view of an explorer, just like his filmmaking hero Robert Flaherty once did. Their traditional lifestyle unfolds in front of his camera: customary songs and rituals, and heartfelt images of people’s daily lives.

"Man of Arran" is a cinematic exploration of the beauty of Ireland's coastline, juxtaposed with the inner strength of 83-year-old Paddy Conaghan, a man who refuses to let age define him. Embarking on an extraordinary adventure: circumnavigating Ireland, diving into winter seas, literally immersing himself in Irelands rugged coastal beauty, and promoting the cause of mental health awareness. Through, stunning visuals, heartfelt interviews, and Paddy's captivating storytelling, Man of Arran aims to transport the audience into Paddy's world and his mission.

Dennis Potter's controversial reading of the life of Christ, with Jesus portrayed as a hearty, fiery, well-meaning carpenter who believes that people should try to love their enemies rather than fight all the time, but who is racked by self doubt as to whether or not he is the popularly anticipated Messiah.

This was a Columbia cartoon starring the human boy Scrappy in which the leading character is an assistant to a mad scientist character who creates a robot but despite electrifying him, the robot won't work.

Austrian church bell ringer Freyman loves music and wants his two sons (both played by Ameche) to love it too. The first goes to America and the second is born deaf-mute but gains hearing during WWI bombing.

A politically ambitious man rises to power in a German provincial town at the end of the nineteenth century.

Filmed in Uganda, Man of Africa was assembled by legendary documentary producer John Grierson. The film depicts the mass migration of the Bakija and Batwa tribes to a new territory after the natural resources of their native soil has been depleted. The pro-ecological message is always present, but never so much as to degenerate into fatuous speechmaking. As a means to introduce the semblance of a plot, writer/director Cyril Frankel concentrates on the trials and tribulations of clerk-cum-farmer Jonathan (Frederick Bijurenda) and his native sweetheart Violet (Violet Mukabuerza). Print quality in Man of Africa varies from adequate to murky.

A construction company foreman's life changes--not necessarily for the better--when he is promoted to an executive position.

A promising young author and father-to-be seeks to fix the broken relationship between him and his father against the time constraints of the latter's terminal illness.